He describes the creative process as one of "simplifying things as much as possible," designing uncluttered spaces traced in nothing but breath, field recordings, and "sounds that could be played by hand but weren't." The results feel decentralized but dynamic, low-lit evocations of ambiguous nocturnal environments - dub techno disassembled into stray pulses and spare parts. It's a music both interior and infinite, languorous yet transformative, made in the outer boroughs of a metropolis but existing in its own liminal wilderness.